Writers living in Japan

Recently I’ve been living at Tenjinyama Art Residency in Sapporo, in the North of Japan, Hokkaido.

Coming from Taipei, the transition was immediate; the heat and humidity of Taipei contrasted with what can only be described as ‘wintery conditions’. It became apparent from my wanderings around Sapporo that the Winter serves as a Skiing Destination. What I didn’t expect, however, was how cold it was as late as June, with snow still showing on the peaks of Mount Asahidake.

Mount Moiwa at 500 ft. Hokkaido is famous for its landscapes and rugged outdoor beauty

The Residency has a good mixture of local and international artists. As well as a Korean visual artist and painter, there are two writers, an Australian Printmaker and a charismatic Mexican painter & photographer whose trade is Architecture.

Following the success of my article on Italian Street Artist Vincenzo, I wanted to follow a similar approach to understanding the artists of Tenjinyama, their work and their unique life story.

This is where Austin comes in. A writer who hails from Upstate New York, his story is a meandering one – but ultimately very enlightening. He has a wisdom which is rare to find at such a young age. His main passions are writing and break-dancing. For the latter, he has real respect for the philosophy of Hip-Hop which permeates the act – the act of expression, the fluidity of movement and the courageous ‘battles’, where groups of dancers will try to outcompete each other.

Austin Breakdancing. He has been dancing for over 10 years now

Marriage and having kids, those are recurring, archetypal beats that recur throughout history over and over again for a reason. Its part of a story, and I think, if you don’t do that, maybe your story doesn’t develop to the fullest

Austin, on the meaning of Family

After our sit down and chat, at the Hokkaido Museum of Modern Art, we went to a break-dance competition, which I attended under the guise of an amateur photographer; completely in awe at the talent around me – all kinds of dancers, many of which had truly honed their style – and secretly wishing I could dance and jump into it. The atmosphere is highly infectious; the music is loud and in your face, the DJs sit behind their booth’s with an air of nonchalant indifference, and the swarm of people dancing is just everywhere.

At that moment, I wanted nothing more than to dance. But in honesty I was too scared to jump into the act, since I had no experience or schooling in this tradition.

I will, at some point in the future, get up a post about that event, with plenty of photography.

Anyway, back to the conversation with Austin.

This conversation was longer than Vincenzo’s, as we only covered some of the questions in person. That’s ok – just a sign we had a lot to talk about; we were able to find a deeper tonality to the questions. Luckily, he had promptly written out his answers to the questions before we met.

So for the latter questions, I’ve written it up from the answers he sent me in writing. Austin’s answers are best read in a slightly deep, drawling US accent. The depth of his voice gives the answers further richness.

What is your idea of perfect happiness?

“That is a question I was reluctant to answer, because it’s sort of like I feel you should be about your relationship to God and your religion, which is that it’s something you have to protect. When you let it out there, people can fuck with it (laughter).

“I know what I like, so much. Because some things in life I truly value. I feel I have been lucky enough to be happy, in a certain way. And I’m secure enough to know what it is, that I don’t need to share it around – Hey don’t you like this too? You should – I don’t feel like trying to convert people to my thing.

It’s good enough for me, and I want to keep it for myself, and its going to be different for everybody else tooWhat or who is the greatest love of your life?

Is there a contrasting view of happiness though? Where if you’re out there spreading your happiness about, you can add value to other people?

“Sure. Absolutely. I just mean, when you’re treating happiness like an ideology you need to spread, or… that’s the thing with a lot of religions, people feel they can’t believe unless they get other people to believe too.

Luckily enough, I’ve found things which make me happy, that I don’t need other people to believe them. It’s good enough for me, and I’d rather keep it to myself

I know what I like, so much. It’s good enough for me, and I want to keep it for myself. It’s going to be different for everybody else too

Austin – on Happiness
Austin at the Breakdancing event we went to in Sapporo

Is some of that you’re creative practise, you’re writing for example?

“100%, yes. If I’ve written well and danced well then I will be at ease for that day.

It’s not necessarily happiness, but it will set me at ease. On an existential level. I’ve done what I need to do. But happiness is something else right?

I mean you know what it is for you right? ( I deliberate on this)

(At this point I go on a general ramble about meaning verses happiness, and which one is more important. Perhaps challenging activities are more meaningful in the long-run. I offer this as an opinion to Austin)

“Yes, in a general sense, you have to do something in life that you respect yourself for doing. And it doesn’t matter if you succeed or not. You have to give it a try. I know what I respect myself for doing. I’m gonna try my damn best. And then everything else should come after that

As an Artist, what is your definition of success? How do we objectify that? Is it how many people come to our exhibitions, how many people read our work? If we get published?

I don’t expect to attain any success at all. I go into it with no presupposition of having success. Maybe I did at one point, but it’s long gone.

It’s more like a religious thing for me. Trying to get closer to God doing art. That’s its own reward. You don’t need any validation from anyone for that. But of course I do, I want that. Part of it, is that I want to effect people

The Breakdancing scene is strong in Sapporo, Japan

What’s your greatest fear?

Confusion. Misinterpreting what is happening and/or being misinterpreted. I honestly don’t think anyone deliberately tries to cause harm.

Even if we discuss Hitler. He believed absolutely that he was doing more good than harm. I think he is a product of profound confusion. Which everyone could be susceptible to that, unfortunately

Do you think as Artists, we are more susceptible to that?

We are. But the more dangerous position is to be certain. To not be open-minded. Being dogmatically certain about something. It’s hubristic to assume you are right about something. The more dithering and uncertain you are, the more likely you will be a peaceful person

What do you most dislike about yourself?

My tendency to turn negative or deconstructive or critical. Maybe I’ll ask is this the right path. If you’re a conscious being, you have to have a story. To make sense of what you’re doing. If things get contradictory you can be thrown in a tizzy.

If I feel frustrated as an artist, and am not achieving my goals, I’ll probably get negative & then start shitting on other people. Tearing things down. I hate that I do that. I only ever want to be constructive.

I think this goes for everyone, but when you can’t be constructive, you neurotically turn to destruction. Which is nearly always self-destruction

When you can’t be constructive, you neurotically turn to destruction

Austin on the frustrated-artist syndrome

I don’t believe in that way of thinking about it. The ideal of a perfect blank slate is not only impossible but very destructive too.

The better way to think of it is; you can never have a blank slate, but you can paint over the top of what exists. You don’t need to erase that shit. It’s always recycled shit you feed off

Have you ever been going down a negative trajectory, and you realised this isn’t healthy, and I need to change something here?

Happens all the time to be honest. I deal with it by shutting the fuck up and going away. I don’t want anything to come out of my mouth unless its not fucking nice, or at the very least constructive. There’s almost no situation where speaking can add. Silence is the best answer for everything. But I do like to talk however, it can be helpful. I’ve considered taking a vow of silence. Since all I want to do is write.

If I couldn’t talk at all, and I tried to channel that energy into my work, it could go two ways. It could be great, but it could drive me nuts.

The worst thing is just to blab and not think before you talk.

If you start saying negative things, then just shut up. Deal with your own shit first

What is the trait you most deplore in others?

Closed-mindedness and humourlessness.

Humourlessness is a type of closed-mindedness, because I consider humour ‘play’. And I don’t think you can engage in any conversation where you really come to some solid objective knowledge. Its impossible to reach that.

The best you can hope for in a conversation is just to play. You’re creating something with another person. It’s fun.

Comedians are artists. They get to the truth, much more aesthetically and clearly than a logical person.

To me a comedian is like a Jedi knight of culture. Because they go right to the edge of what is acceptable. Humour has given me so much energy in writing. Its made me like writing more. I can be funny, dance around and go to the edge.

If you bait and switch, if you start off funny, you can hit people with some poignant shit. If they’ve let their guard down you know?

That’s a new strategy I’ve been using

How do you get humour into fiction writing?

I don’t know. You’d have to read my stuff. I know that it’s fun to me. Fun to write. It’s playful.

It’s all the shit you don’t normally see in fiction because it takes itself too seriously.

Get a bit go Seinfeld bullshit into your writing. Going towards the unglamorous side of life that is funny. Most people want to highlight the dignified or epiphanal moments of life. You can sprinkle that in there, but most of life is unglamorous shit.

Comedy is fearlessly saying all the shit everyone else is afraid to say”

Austin on Comedians

Fearlessness and telling the truth. Its 100% necessary for good writing. 100% necessary.

You’ve got to be personal about all your own shit

What is your greatest extravagance?

A dope pair of sneakers

What is your current state of mind?

Productive. I’ve dabbled in writing for a long time, not really willing to do what I had to in order to do it well and consistently.

But after awhile that no longer sufficed; I came to realize that writing had become so fundamental to my sense of meaning and purpose that not doing it well simply wasn’t an option. So now I’ve reached this place where I want it (I need it) so badly that I’m willing to really break myself down and recreate myself around it…

This means cultivating discipline and good habits, but it also means cultivating things like adventurousness and self-awareness. Everything necessary to creating good art

What do you consider the most overrated virtue?

Success

On what occasion do you lie?

A rhetorical lie (the type of lie you tell when your bull-shitting, or for a laugh) can be very powerful. If you present something as a joke, the truth behind it shines through. At its best it can assert the way things really aught to (sic) be

Asahi-dake Mountain in Hokkaido, captured by Olympus Mju Zoom Lens

A rhetorical lie can be very powerful. If you present something as a joke, the truth behind it shines through. At its best it can assert the way things really aught to be

Austin on when it’s acceptable to lie

What do you most dislike about your appearance?

The busted blood vessels on my eyelids are quite unsightly. Too much writing, and crying over girls

Which living person do you most despise?

I don’t think I’ve experienced that feeling for awhile. I have in the past. But time blunts all that and you just hope those people have grown – in the ways you yourself once sorely needed

What is the quality you most like in a man?

Being capable and knowing their limitations

What is the quality you most like in a woman?

Being capable and knowing their limitations

Which words or phrases do you most overuse?

If i knew i’d probably stamp them out

What or who is the greatest love of your life?

See my answer to Question 1

When and where were you happiest?

See my answer to Question 1

Which talent would you most like to have?

Writing and dancing

If you could change one thing about yourself, what would it be?

I wish I had a large aquiline nose and whatever frame aids gymnasts in doing flares

What do you consider your greatest achievement?

There is no greater feeling in the world than when something I’ve written causes someone to feel something. The times I’ve made people feel

If you were to die and come back as a person or a thing, what would it be?

I don’t want to come back

Where would you most like to live?

Baltimore is sort of nice

What is your most treasured possession?

I’m sort of dependent on my phone unfortunately. But the speaker I use when dancing is also a simple but crucial source of my happiness

What do you regard as the lowest depth of misery?

That moment of despair you sometimes encounter when succumbing to the thought that you’ve failed in life and your existence will be lost in the river of anonymity into which everyone else who has ever lived has passed. Which it will

There is no greater feeling in the world than when something I’ve written causes someone to feel something. The times I’ve made people feel

Austin on the power of writing

What is your favourite occupation?

Any sort of manual trade; pigeon-keeper, tombstone engraver

What is your most marked characteristic?

My utter lack of any distinctive features. I’m tall?

What do you most value in your friends?

Tolerance of me

Who are your favourite writers?

Camus, Zola, Celine

Who is your hero of fiction?

Don Quixote

Which historical figure do you most identify with?

Simone Weil

Who are your heroes in real life?

Many people I’ve met in the course of life

What are your favorite names?

My b-boy name, MAKESHIFT

What is it that you most dislike?

People who are fragile whilst being intolerant; people who have adamant demands of the world, despite not having actually seen any of it, and despite having yet even to be acquainted with themselves

What is your greatest regret?

Unanswered

How would you like to die?

Old. Surprise me…

What is your motto?

I’d rather be crazy than stupid, but I’d much rather be stupid than an asshole

Breakdancing in Sapporo

I’d rather be crazy than stupid, but I’d much rather be stupid than an asshole

Austin on how to live

Thank you Austin.

Artist Profile; The Italian Lion Vincenzo

“New York is a Jungle and I want to know what kind of animal I am – and I’m a fucking Lion”

Vincenzo

Recently, whilst staying at the Treasure Hill Artist Village in Taipei, I met the combative but brilliant Street-Artist, painter and storyteller Vincenzo.

Vincenzo originally hails all the way from Napoli in Italy, but has been living an itinerant existence around the Pacific Islands and South-East Asia for some time.

More recently, he has spent time in Kuala Lumpar, Bangkok, Vietnam, Taipei and more extensive periods in Malaysia.

His mannerisms are rough; he seems to be built of the mould of rough Italian clay and he has the bombast and air of a boxer. Deep down he is a lover however, as was revealed slowly from our chats.

God drives you to create. You create good energy. You make the people happy. The meaning of painting on the street, it makes people happy; the meaning of life is to spread happiness.

Vincenzo
Vincenzo uses Mixed Media to make his Art. He uses fabric, paints on historic maps of Taiwan and has a series of iconic characters such as General Custer and the Lakota War Leader Crazy Horse

Vincenzo is as much a product of Brooklyn, as he is of Napoli. He constantly told me, “I speak Brooklyn brother, not English.”

In fact, he first learnt Spanish through working with Latinos in the restaurant industry in New York, and then picked up a street-dialect of English; heavy on expletives and saturated in a thick Brooklyn accent.

He is the living embodiment of an on-the-streets style education; his English and Spanish essentially being ‘picked up’ rather than learnt through any formal classes, in various restaurants he worked at.

He now creates and shapes his art on the streets of Taiwan.

(By the time Article was published, Vincenzo had returned to his favourite spot on Peel Street in Hong Kong)

The streets are a symbolic union of creativity and a battleground for survival for Vincenzo.

God is around me, and he says this guy is a bad guy, but not too bad.

Vincenzo, donning his best Rocky Balboa persona

When I met Vincenzo, I instantly bonded with him. His down-to-earth, Italian mannerisms and language were a refreshing, and almost shocking, change from usual dialogues in Taiwan. It brought back pleasant memories of my time in Milan.

A novel idea popped into my head; I decided to try using the Marcel Proust questionnaire to guide our conversation. This gave me the benefit of having a structured conversation with a man where, at any moment, the conversation could be derailed. The Questionnaire itself is essentially akin to a 19th-century personality test; a list of questions designed to get a richer understanding of your subject.

We talked about the meaning of art, how to survive by creating on the streets, and we touched on Vincenzo’s fascinating, but meandering life – from the depths of Napoli and Southern Italy all the way to New York, at the age of 28.

So with that said let’s jump into the questions;

What is your idea of perfect happiness?

“Making my art is not automatically, but it is fluent – I only need the space. Making Art is a present from God.”

Is Art Divine?

“It’s like God drives you to create. When you make art you create good energy. At the same time you make people happy. The real meaning of painting on the streets is to make people happy. They pass for a second and they see all this shit on the street – but the art makes them happy – that is my goal.

I think what is Art? Art is to create a good mood, a good vibration.

The only condition to be happy is to make others Happy. My art is a way to make people happy.”

Vincenzo’s set up on the streets – whether in Malaysia, Rome or Tainan, you can witness his persona and craft all in one package

What is your most marked characteristic?

(For this question I had to use Google Translate to put it into Italian)

“I don’t speak English brother, I speak Brooklyn! I don’t know what this means, I learnt to speak english in Brooklyn, in a kitchen, brother! I never study anything. I learnt Spanish first in New York, and then English! Because I work in the fucking kitchen brother!

(After reading in Italian) My characteristic is to be on my own, and with God. I only trust God. I saw enough motherfuckers, but someone I trust, I trust God.

Why did you start working so young? You started working at 14 in a Kitchen in Napoli.

“Oh when I was 14, I was already old man! I knew kids that worked in the kitchen they were 9 or 10! Fuck man, I was a big guy at 14. Crazy man! Napoli is crazy. In my generation 14 you’re already fucking old to work.

I went to New York because it was a dream. I have a fucking good job in Italy – new car, brand new scooter. But I wanted to see what animal I am. I think New York is like to live in a movie, and I want to see. New York is a fucking jungle man, and I want to know what animal I am. And I realise I’m a fucking lion man!”

Vincenzo posing on the streets of Hong Kong

How did you go to New York?

I had a Ford Gear, I had a Vespa. I have a nice car. I had good money in Italy – so I go!

I was involved in a beautiful love story.

No, I was never Married to be honest. Oh hello, first of fall, I work in this place – this man was an Architect, and I knew his restaurant was open only for dinner. So I have a very nice job, because I go to work 3 o’clock in the afternoon.. Open only 5 days a week.

Very rich, nice customers. I make 1400 euros every month, 35 years a go! And I only pay 200 euros a month!

I have a very comfortable life man.

So why did you decide to give up this fairytale life for New York City?

I was not very happy, but I have everything I need.

I only want to tell you when I go to New York I have 20 million Lire, its like 10,000 euro.

I didn’t go there broke. I had money man.

Apart from the money, why else did you think “Yeah I love it here in Rome, but I want something different?

I remember the boss of the restaurant said to me, “For some things I understand you, for some things I cannot understand you”. He said you have a nice job, everybody like you, even the customer like you. Because it was like a family. Only 35 people for this restaurant.

But I want to see the world. I want to be in New York. I don’t know if I want to travel, but I want to be in New York.

Did you have friends in New York?

No, I got no-one. I decided go on my own. I live there for a decade, from 1990 to 2000. Then I spent a year in California. And California is fucking boring man. You were born in 1990, I moved to New York (in 1990).

February 2001, I decide bus to Miami. I stay there awhile, and then I go L.A.

In fact, when they attacked the Twin Towers, I was in California. I was not in New York anymore.

Did you meet Andy Warhol in New York?

I wasn’t involved in art. I was a chef. I was there at the opening of Guggenheim Museum. I was there! I meet the architect – I cooked for them. It was a beautiful month.

What do you consider your greatest achievement?

To be a Father.

You know, if you make a mistake you need to pay. I always say this. It means, if you do some shit in the life, you need to pay. Not if you make some shit, you run. You need to face it and solve it. That’s the biggest achievement in my life.

What learning curves are you referring to?

For example, my daughter was the most beautiful accident in my life. I never planned to be a father, it was an accident. I need to fix this. The most beautiful accident.

My wife is from Vietnam. She is a refugee. You call them ‘Boat People’. (In the late 1970s, hundreds of thousands of refugees fled to Hong Kong by boat from war-torn Southeast Asia and Vietnam)

Who are these ‘boat people‘?

These people escaped from Vietnam by Boat. My wife came to Hong Kong.

In the 1970s many Vietnamese made the arduous journey across the South China Sea. Many would die on this voyage. These ‘Boat People’, as Vincenzo referred to, were seeking sanctuary in British ruled Hong Kong.

How did you meet and fall in love with a Refugee from Vietnam?

Well I’m a Napolitano. It’s not hard for me to catch the women. Hong Kong was safe for her. At the time, Hong Kong was British, and they helped them.

Do you have a deep love for Hong Kong?

I’ll be honest – I don’t love Hong Kong. But I love my daughter. I never fell in love with New York, but I love my daughter.

She’s 20, she’s smart, she’s strong, she’s intelligent. And now I feel I can enjoy my life as an artist. It’s not difficult to understand my way.

I’m a street fighter. I smash anyone who says I don’t care for my daughter.

It sounds like to me, you had to learn to fight at a young age. Either in Brooklyn or in Napoli. Would you agree with this?

I’m a respectful person. But if people make trouble. It’s automatic for me. It’s a disease man. There’s no medicine. I cannot stop. I can’t just go to the Doctor. I can’t fucking stop.

Especially in New York. One guy from the first floor. I said, ‘if you don’t shoot, I come up and broke you.’

I feel people just shoot, they don’t talk, they just shoot. So I think maybe no, he didn’t have a gun.

Vincenzo stayed at the Fuqi Hostel in Tainan. The owner took pity when he saw he was struggling to sell his artwork on the street. He organised for Vincenzo to paint on the walls of the Hostel with the help of a girl working there.

What is your greatest fear?

If I cannot make Art anymore. I think this is my biggest fear, if I cannot produce art anymore.

Maybe if you asked me 20 years ago, I give you a different answer. But if I can’t create, then what do I live for?

Which historical figure do you most identify with?

I like the film The Deerhunter. I grew up with my Grandparents. I never had a childhood or many friends. But I like this character from The Deerhunter.

Are you the first to make art in your family?

I am the only one.

My Grandfather was funny. He fought in both World Wars.

In the Second World War, he brought his son with him. He was only 17. And he died, he never made it back home. This was my Uncle. I never met him. He was my Father’s brother.

My Grandad survived the War. Then my Grandmother stopped talking to my Grandfather. (She blamed her son’s death on her husband)

On Bulu the Cat, you can witness Vincenzo’s use of fabric

Who are your living heroes?

I only have one hero – and that is God.

I’m a difficult man to be with. When I decide to go – then I go.

Thank you for your time Vincenzo